Friday 05 August 2005 à 23:15
salut a tous,
je me demande s'il y a qu'elqu'un qui connais tres bien nass elghiwane, je voudrais savoir quelle est la 1 ere chanson que abderrahmane paco a chanté avec nass elghiwane quand il a quitté jil jilala.
Saturday 06 August 2005 à 20:53
Whenever mentioned in the Western literature, Nass el Ghiwane are referred to as The Rolling Stones of Africa, as American Producer Martin Scorcese once put it. They are living legends who cleverly merged the rich repertoire of traditional music of Morocco with modern subjects. To ordinary Moroccans, they are not The Rolling Stones of Africa, more than that, they are Nass el Ghiwane!
Nass el Ghiwane was formed in the late sixties by four young men from the poor district of Hay el Mohammadi in industrial Casablanca. Laarbi Batma (who came from the Chaouia region to Kariane Jdid) met Boujemaa Hagour (who came form the Tata region to Derb Moulay Chrif) through their mutual friend Omar Essayed. They were all performing in the theater troupe of Tayeb Essidiki. While performing the piece "Al Majdoub" for Parisian crowds in the summer of 1969, they had the idea of using traditional music as a way to express themselves onstage. They had written pieces of what would later be Essiniya, Fin Ghadi Biya Khouya, and Ouach Hna Houma Hna. Later in Casablanca, and with the help of friend Allal Yaala, who was also in the theater group doing musical arrangements, Nass el Ghiwane was officially founded. They have already started gaining momentum with live appearances in the Radio Television Marocaine when they hired talented traditional arts student Moulay Abdelaziz Tahiri. Abdelaziz was a close friend and collaborator of Boujemaa. He was very interested in reviving the Melhoun repertoire of traditional Moroccan music and he would later leave Nass el Ghiwane to his hometown Marrakech to be a founding member of Jil Jilala. Within Nass el Ghiwane, he played the Guembri, instrument of the Gnawa people of Morocco, in addition to singing. Then for a brief period (less than a year), Allal would leave and a friend of Abdelaziz, Mahmoud Essaadi, would replace him. He was playing the lute strings with a 1/2-step mandoline, and would leave very soon after, to reemerge later with Jil Jilala.
Sunday 07 August 2005 à 12:22
Oui, je les ai vus une fois sur TVM 1 ils chantaient " Marsoul el Hob " j'ai même préféré leur version plutôt que celle de Hasna.