Bollywood...salaam Namaste à Tous (2)
jeudi 20 mars 2008 à 13:58
Voilà,le première topic est plein ..Je crée le second et ej suis trés contente de discuter avec vous de bolly,de ses histoires,de ses acteurs et actrices,film,potins...
Alors bienvenue à tous!!!
Alors bienvenue à tous!!!
jeudi 20 mars 2008 à 14:00
J'ai créer le sondage mais il n'apparait pas...??
jeudi 20 mars 2008 à 14:09
félicitation pour le deuxième topic 
jeudi 20 mars 2008 à 14:17
mdr , j'ai trouver cette photo sur peopollywood avec un petit commentaire en bas
"Quand Aishwarya a le dos tourné, Abishek en profite pour matter le décolleté de le femme de Hritikh."
"Quand Aishwarya a le dos tourné, Abishek en profite pour matter le décolleté de le femme de Hritikh."
jeudi 20 mars 2008 à 15:49
namaste people!!! long life to Bollywood!!
j'ai acheté le filmfare avec Saif en couv'
j'ai acheté le filmfare avec Saif en couv'
?
jeudi 20 mars 2008 à 22:06
Bollywood and Opera Meld in Paris
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By THE ASSOCIATED PRESS
Published: March 20, 2008
Filed at 9:57 a.m. ET
PARIS (AP) -- As the rousing overture reaches its operatic climax, the curtains part and Ganesh, the elephant-headed Hindu god, descends from the rafters.
''Padmavati,'' currently playing at Paris' gilded Theatre du Chatelet, is not your typical operatic fare. It's equal parts straight-laced European opera and Bollywood blowout, with a cast that includes a top French mezzo-soprano, scores of classical Indian dancers and a live tiger.
The director is hit Indian filmmaker Sanjay Leela Bhansali, whose pathos-filled 2002 musical ''Devdas'' became a crossover international blockbuster and made him hot Bollywood property.
''Padmavati,'' the revival of a long-neglected French ballet-turned-opera from 1923, is Bhansali's first foray into the rarified world of opera -- which he had rarely listened to before beginning work on the project.
''There was an e-mail that came (proposing the project) and I thought somebody was joking,'' said Bhansali, speaking in his dressing room at the theater. ''I though 'Opera? An Indian director? What are they talking about? Somebody's playing a prank.'''
But then he started listening to the score -- written by sailor and composer Albert Roussel after a 1909 trip to South Asia and based on the legend of a 13th-century queen who chooses death over surrender.
Soon, Bhansali warmed to the idea.
''It was the chance to come to stage, an unknown discipline, and unfold Indian history.''
Indian history in French, that is.
The opera's libretto is the language of Moliere, and most of the cast's classically trained singers are French, too.
French mezzo-soprano Sylvie Brunet lends just the right dose of defiance and submission to the role of Queen Padmavati -- who legend has it committed sati, throwing herself onto her husband's funeral pyre to keep from being abducted by a rival leader.
A troupe of classical Indian dancers weaves around the singers, fleshing out the plot with their flex-footed movements. They shimmer and shake, spin and leap, taking center stage during long orchestral movements originally intended for ballet solos.
Although there's not a single Indian instrument in the orchestra, the dancers -- under Calcutta-based choreographer Tanusree Shankar -- appear seamlessly in synch with the music.
Decked out in lavish costumes, they incarnate warriors, ladies in waiting, slaves and a host of Hindu gods, from the fiery goddess of destruction, Kali, to a flying Ganesh.
A live horse, elephant and tiger also play bit parts.
Rehearsals, which brought together performers, musicians and crew of at least six nationalities, were exercises in cultural understanding, Bhansali said.
''It was all very new to the (Western) actors,'' the director said. ''They were very curious about Indian culture and had questions about everything.''
The language barrier was a problem -- some of the French cast didn't understand English -- so Bhansali said he gave his stage directions through an interpreter.
''Slowly, slowly, we understood each other.''
Plans are in the works to take ''Padmavati,'' which is playing in Paris through March 24, to Italy later this year, Bhansali said.
India could follow, he said, adding he'd like to perform the opera at a fort in the historical Padmavati's town in the northwestern region of Rajasthan.
Or perhaps, Bhansali might do a film version -- sung not in Hindi but in the original French. That could be a hard sell in a country unaccustomed to Western opera, Bhansali acknowledged, but said he thought his compatriots were ready.
''A group of Indian people has gone and done something no Indian had ever done before,'' said Bhansali. ''That makes us very excited and proud at home.''
* Sign In to E-Mail or Save This
Article Tools Sponsored By
By THE ASSOCIATED PRESS
Published: March 20, 2008
Filed at 9:57 a.m. ET
PARIS (AP) -- As the rousing overture reaches its operatic climax, the curtains part and Ganesh, the elephant-headed Hindu god, descends from the rafters.
''Padmavati,'' currently playing at Paris' gilded Theatre du Chatelet, is not your typical operatic fare. It's equal parts straight-laced European opera and Bollywood blowout, with a cast that includes a top French mezzo-soprano, scores of classical Indian dancers and a live tiger.
The director is hit Indian filmmaker Sanjay Leela Bhansali, whose pathos-filled 2002 musical ''Devdas'' became a crossover international blockbuster and made him hot Bollywood property.
''Padmavati,'' the revival of a long-neglected French ballet-turned-opera from 1923, is Bhansali's first foray into the rarified world of opera -- which he had rarely listened to before beginning work on the project.
''There was an e-mail that came (proposing the project) and I thought somebody was joking,'' said Bhansali, speaking in his dressing room at the theater. ''I though 'Opera? An Indian director? What are they talking about? Somebody's playing a prank.'''
But then he started listening to the score -- written by sailor and composer Albert Roussel after a 1909 trip to South Asia and based on the legend of a 13th-century queen who chooses death over surrender.
Soon, Bhansali warmed to the idea.
''It was the chance to come to stage, an unknown discipline, and unfold Indian history.''
Indian history in French, that is.
The opera's libretto is the language of Moliere, and most of the cast's classically trained singers are French, too.
French mezzo-soprano Sylvie Brunet lends just the right dose of defiance and submission to the role of Queen Padmavati -- who legend has it committed sati, throwing herself onto her husband's funeral pyre to keep from being abducted by a rival leader.
A troupe of classical Indian dancers weaves around the singers, fleshing out the plot with their flex-footed movements. They shimmer and shake, spin and leap, taking center stage during long orchestral movements originally intended for ballet solos.
Although there's not a single Indian instrument in the orchestra, the dancers -- under Calcutta-based choreographer Tanusree Shankar -- appear seamlessly in synch with the music.
Decked out in lavish costumes, they incarnate warriors, ladies in waiting, slaves and a host of Hindu gods, from the fiery goddess of destruction, Kali, to a flying Ganesh.
A live horse, elephant and tiger also play bit parts.
Rehearsals, which brought together performers, musicians and crew of at least six nationalities, were exercises in cultural understanding, Bhansali said.
''It was all very new to the (Western) actors,'' the director said. ''They were very curious about Indian culture and had questions about everything.''
The language barrier was a problem -- some of the French cast didn't understand English -- so Bhansali said he gave his stage directions through an interpreter.
''Slowly, slowly, we understood each other.''
Plans are in the works to take ''Padmavati,'' which is playing in Paris through March 24, to Italy later this year, Bhansali said.
India could follow, he said, adding he'd like to perform the opera at a fort in the historical Padmavati's town in the northwestern region of Rajasthan.
Or perhaps, Bhansali might do a film version -- sung not in Hindi but in the original French. That could be a hard sell in a country unaccustomed to Western opera, Bhansali acknowledged, but said he thought his compatriots were ready.
''A group of Indian people has gone and done something no Indian had ever done before,'' said Bhansali. ''That makes us very excited and proud at home.''
vendredi 21 mars 2008 à 00:39
C'etait un sondage sur votre actrice bolly prefere puisque l'ancien topic etait sur votre acteur prefere...
vendredi 21 mars 2008 à 13:40
Aamir khan's new bald look
Pas Mal!!
Pas Mal!!
vendredi 21 mars 2008 à 15:33
SOHA ALI KHAN POSSEDE UN PORT D'ARME ILLEGAL//PEOPOLLYWOOD
Ce message a été modifié par youssrabollywood - vendredi 21 mars 2008 à 15:33.
Ce message a été modifié par youssrabollywood - vendredi 21 mars 2008 à 15:33.
vendredi 21 mars 2008 à 19:43
Anjali==> Abhishek va sorti un album ecrit par Vishal Shekar, il a deja enregistrer 8 chansons sources: filmfare magazine
vendredi 21 mars 2008 à 20:00
Saifu et Kareena
Sanjay Leela Bhansali
Shilpa Shetty
Rakhi Sawant
a l'occasion de Holi
c'est qui elle???
samedi 22 mars 2008 à 00:16
sameera reddy elle joue le role de mini l'assistante d'anil kapoor ds le film
j'aimerais savoir ce que vous pensez de ce
site film le but c'est les sorties cinéma de
la semaine en videos mais il y a aussi des
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